A long process getting to both the identity of BMOP/sound packaging, and a way to unify the approach across disparate musical forms/eras/aesthetics. The two crucial decisions: 1) to have the covers reflect the musical content (early sketches were just "modern" or "abstract with color/pattern"), and 2) to incorporate the angle of the newly designed logo into the overall structure of the covers. All of this work took place with the crucial assistance of Robb Ogle. See also our sketching for the logo and the final designs of the cds, starting with no. 001.
John Kramer, February 2012